
Golden Shadows — Three-Frame Portrait
Quelle: @arx_prompt
Dieser Prompt erzeugt: Golden Shadows — Three-Frame Portrait.
Aus dem Prompt lässt sich festhalten: close-up.
Eine Variable, die du ändern kannst: Fotorealistisch look.
So verwendest du diesen Prompt
- Motiv: Golden Shadows — Three-Frame Portrait.
- Variable ändern: Fotorealistisch look.
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MASTER IMAGE PROMPT Use my uploaded photo as the ONLY and EXCLUSIVE source of facial identity. The uploaded image must be treated as the definitive identity reference. Recreate the same person throughout all three panels with strong identity consistency. Do not borrow, reproduce, or imitate the identity of the person shown in the reference composition. The reference image should be used only for its composition, framing, pose direction, clothing concept, lighting, colour palette, photographic mood, depth of field, texture and overall visual language. IDENTITY PRESERVATION — ABSOLUTE PRIORITY Preserve my recognizable identity exactly as shown in the uploaded photo. Maintain my: exact natural face shape and facial proportions forehead structure eyebrow shape, thickness and natural asymmetry eye shape, size, spacing and colour natural eyelids and eyelashes nose bridge, width, tip and nostril structure cheekbone structure and natural cheek volume lip shape, proportions and natural expression chin structure jawline and facial contour ears and natural ear placement where visible natural skin tone and undertone authentic age appearance natural facial asymmetry realistic skin texture, pores and small imperfections Do not beautify or redesign my face. Do not make my face slimmer, sharper, wider, younger, older, more symmetrical, more muscular or more conventionally attractive. Do not replace my facial features with an AI-generated face. Do not perform a face swap. Do not blend my face with another person's features. Do not create a generic attractive male face. The final result must unmistakably look like the same real person from my uploaded photograph, while naturally adapting the face to the three different photographic crops and angles. FINAL COMPOSITION Create a vertical 9:16 photographic collage consisting of exactly THREE horizontal photographic panels stacked vertically. Structure: TOP PANEL → MIDDLE PANEL → BOTTOM PANEL Each panel must be a separate photographic moment/crop of the same person, but all three must maintain perfect identity consistency. Separate the three panels using very thin, subtle dark horizontal gaps. The collage should feel like a professionally designed vintage analog fashion-editorial contact sheet, rather than three unrelated images placed together. No fourth panel. No extra border. No text. No typography. No decorative graphics. No logos. No watermark. Maintain balanced visual spacing and consistent colour grading across all three panels. TOP PANEL — INTIMATE LOWER-FACE PORTRAIT Create a tight cinematic close-up cropped around the lower half of my face, neck, shoulders and upper chest. The top portion of the head should intentionally extend outside the frame. My face is turned subtly toward the right side of the image, creating a natural three-quarter/side-oriented composition. Only part of my face should be visible, with emphasis on: natural lips jawline chin lower cheek neck collarbone area Do not reconstruct missing facial areas unnaturally because of the crop. The framing should feel intentional and editorial. CLOTHING I am wearing a clean white-to-soft-off-white collared polo-style shirt. The shirt should have: premium soft cotton texture subtle realistic fabric weave natural folds slightly relaxed fit softly open collar realistic shadows inside the collar warm creamy-white appearance rather than cold blue-white Add a very thin, delicate metallic chain necklace around the neck. The chain should be subtle and realistic, with tiny natural reflections from the sunlight. LIGHTING Warm natural sunlight enters from the side/front-side. Create: soft golden highlights across the white shirt gentle illumination on the neck subtle highlights along the jaw smooth natural shadows realistic light falloff slightly brighter sunlit areas soft cinematic contrast Avoid harsh direct flash. BACKGROUND Use a dark, muted blue-gray / deep desaturated green architectural environment. Include a few subtle vertical architectural shapes or sunlit openings in the background. The entire background must be heavily defocused with: shallow depth of field creamy optical blur soft bokeh realistic lens falloff The background must never compete with the face. MIDDLE PANEL — EXTREME EYE CLOSE-UP Create an extreme close-up of my eyes and upper face, filling almost the entire horizontal frame. This panel should be visually intimate and highly detailed. My eyes should be the primary focal point. FACIAL DETAILS Preserve my exact: eye shape eye spacing eyelids eyebrows natural under-eye structure skin texture facial proportions My expression should be calm, slightly serious, natural and understated. I am looking directly toward the camera. Do not exaggerate the eyes. Do not enlarge, sharpen or beautify them artificially. HAIR Thick dark hair falls naturally across the forehead. Hair should appear: slightly messy naturally wavy soft textured individual strands visible imperfect rather than perfectly styled Some strands may naturally overlap the forehead. Do not create an artificial helmet-like hairstyle. EYES Render realistic dark-brown eyes with: natural iris variation subtle warm tones realistic sclera tiny catchlights detailed eyelashes natural moisture realistic eyelid texture The eyes should look photographed, not digitally painted. Preserve authentic pores and subtle under-eye shadows. LIGHTING Use soft warm directional light. One side of the face is slightly brighter while the opposite side gradually transitions into soft shadow. Maintain detailed facial information inside the shadows. No crushed blacks around the eyes. BOTTOM PANEL — THREE-QUARTER INTROSPECTIVE PORTRAIT Create a close three-quarter portrait framed approximately from upper chest/shoulder level upward. I am wearing the same white/off-white collared shirt and the same thin delicate chain necklace. Maintain the same hairstyle and overall appearance established in the first two panels. POSE My head is tilted slightly downward and turned toward the right side. My eyes are looking downward and slightly off-camera. Expression: calm quiet introspective natural emotionally subtle Avoid dramatic acting or exaggerated sadness. My: jawline cheek structure nose lips chin should remain naturally recognizable. HAIR Thick dark wavy hair naturally falls over the forehead and sides of the face. Preserve individual strands and realistic hair volume. LIGHTING Warm directional sunlight illuminates one side of my face and neck. The opposite side gradually transitions into soft cinematic shadow while retaining realistic facial detail. Create subtle golden highlights on: cheek nose bridge lips jaw neck shirt collar COLOUR GRADING Apply a cohesive vintage analog-film colour treatment across all three panels. Primary palette: warm creamy whites natural warm skin tones muted blue-gray background deep desaturated green undertones soft brown shadows subtle golden highlights Use: slightly faded blacks low-to-medium saturation soft contrast gentle warmth creamy highlights restrained colour separation subtle analog film grain The white shirt should remain naturally white/off-white, but slightly warm. Do not introduce excessive orange or yellow tones. Skin must remain realistic and natural rather than orange, red or overly bronzed. Avoid modern hyper-clean digital colour grading. LIGHTING & ATMOSPHERE Create the feeling of late-afternoon natural window sunlight, as if the photographs were captured naturally inside or near an architectural space with warm sunlight entering from one side. Lighting should feel: soft directional natural warm intimate slightly nostalgic cinematic Include subtle atmospheric haze only where physically realistic. Use realistic light falloff across the face and clothing. No studio flash. No artificial rim lighting. No neon lighting. No dramatic Hollywood lighting. No excessive bloom. CAMERA & OPTICAL CHARACTER Simulate a professional full-frame editorial camera. Use the visual characteristics of approximately a 50mm–85mm portrait lens, adapting naturally to each panel's crop. Photographic characteristics: realistic full-frame rendering shallow depth of field natural perspective high micro-detail realistic optical softness subtle lens imperfections gentle highlight roll-off natural skin rendering realistic depth separation delicate film grain Facial details should remain sharp where intended, while the surroundings fall smoothly out of focus. Do not make the image look digitally oversharpened. REALISM & MATERIAL DETAIL Preserve authentic photographic detail throughout the image. Include realistic: Skin visible pores subtle texture natural tonal variation tiny imperfections realistic highlights natural under-eye texture Hair individual strands realistic density natural flyaways subtle light interaction Clothing visible cotton weave natural wrinkles realistic collar structure physically accurate shadows Necklace thin metallic construction tiny realistic reflections natural positioning against the skin Everything should obey realistic photographic lighting and physical perspective. COLLAGE CONSISTENCY All three panels must clearly depict the exact same person. Maintain consistency in: facial identity skin tone hairstyle hair colour shirt necklace lighting direction colour grading photographic texture environmental mood The panels should look as though they were captured during one continuous editorial photoshoot, using the same camera, lens family, lighting conditions and colour grade. Do not allow the identity to drift between panels. FINAL VISUAL CHARACTER The finished image should resemble a genuine vintage analog fashion-editorial contact sheet photographed by a professional portrait photographer. It should feel: intimate + nostalgic + understated + masculine + cinematic + authentic + premium + candid. The image must loo
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