Adorable Baby Krishna Studio Portrait with Butter Matki & Peacock Crown Prompt

Detected Framing & Dimensions: Vertical portrait orientation (approx. 1:1.37 / ~3:4.1 aspect ratio), full-body seated studio portrait framing of an infant in the center foreground, maintaining the exact vertical headroom showcasing the warm vintage backdrop with soft hanging lanterns, the rustic dark-stained wooden picket fence on the left, the traditional painted clay butter pot (matki) nestled between the crossed bare legs in front, and the warm draped textile floor plane at the bottom.
8K ultra-realistic portrait photograph in the same aspect ratio and framing as the uploaded reference: A charming, adorable South Asian baby boy (around 8–12 months old) posing in a delightful traditional Janmashtami / Bal Krishna festive studio setup, sitting upright and centered on the floor. He looks directly toward the camera with an infectious, joyful, open-mouthed toothless or two-toothed smile, chubby rosy cheeks, expressive twinkling dark eyes, and a small traditional vermilion/sandalwood red tilak dot neatly marked on his forehead.
He is adorned in traditional Bal Krishna styling: atop his soft dark baby hair sits a delicate golden mukut/crown headband embellished with intricate filigree, tiny pink and green jewel stones, and an authentic green-and-peacock-blue feather plume rising gracefully from the crown. He is bare-chested, wearing layered ornate jewelry including a thin black thread (nazariya) around his neck, an ornate white pearl necklace garland, delicate golden armlets (bajuband), and embellished pearl-and-gold beaded wrist cuffs (kangan) with tiny dangling accents around both chubby wrists.
He is dressed around his lower half in a vibrant, shiny golden-yellow silk dhoti/wrap, trimmed along the hem with a decorative zari border of intricate red-and-gold geometric embroidery. He sits cross-legged on a deep warm-brown/terracotta draped fabric surface, displaying his adorable bare baby feet and tiny toes resting comfortably forward. Centered directly in his lap between his knees is a traditional round earthen clay pot (matki) painted in bright crimson red and decorated with traditional white geometric diamond tribal folk art patterns along its belly. The pot overflows with voluminous, fluffy, cloud-like white butter (makhan) or soft white cotton batting, with wisps spilling over the rim, and a tiny rustic bamboo flute (bansuri) tucked casually into the pot beside his playful, open hands gesturing happily toward the butter.
The studio setting features a rustic, warm ambient atmosphere: to the left is a low, weathered vertical dark-stained wooden picket fence with green climbing vine leaves peeking through. The background is a soft-focus vintage warm amber and muted olive-brown painted scenic backdrop, subtly adorned with faint glowing traditional hanging oil lamps/diya lanterns casting a warm, magical golden bokeh. Soft, directional, and flattering studio portrait lighting illuminates the baby's smooth, delicate skin texture, authentic chubby folds, lifelike fabric shine, and reflective jewel details, strictly preserving the original 1:1.37 vertical composition, seated infant framing, headroom, and enchanting Bal Krishna festive theme.