"Divine Silhouette Blessing — Bhagwan Shankar Ji"

IDENTITY LOCK: Use the uploaded reference photo for the human subject. 
Do not change his/her facial bone structure, eye shape and color, 
nose shape, lip shape, jawline, or skin tone in any way — keep it 
100% identical to the original photo. Body build and proportions 
unchanged. Non-negotiable.

STRICT ANATOMY LOCK (critical, highest priority): Both figures in this 
image — the human subject and Shankar ji (Lord Shiva) — must have 
EXACTLY TWO ARMS and EXACTLY TWO HANDS each. Do NOT depict Shiva with 
four arms or any additional arms, even though some traditional art 
styles show multiple-armed deities — that is explicitly forbidden 
here. Each hand must have exactly five fingers, naturally curled, no 
fused, missing, extra, or duplicated fingers. Each figure must have 
exactly two legs. Before finalizing, count the arms and hands on 
Shankar ji and the human subject one at a time and confirm each has 
exactly two of each — if either figure shows more than two arms or 
two hands, this is an error and must be corrected.

CONCEPT: Create a highly realistic, cinematic vertical portrait — a 
massive divine silhouette of Bhagwan Shankar ji manifesting in the 
sky behind and above the human subject, as if blessing him/her. The 
subject stands small in the foreground with both arms raised outward 
in a mirrored gesture of devotion, head bowed slightly.

DIVINE FIGURE (Shankar ji — exactly two arms): A colossal dark smoky 
silhouette filling the sky, formed from swirling storm clouds and 
drifting ash/snow-like particles. The face is rendered in deep 
charcoal-black with two intensely glowing white-blue eyes, including 
a subtle third eye centered on the forehead (closed, faintly outlined, 
not a functioning arm or limb — purely a facial feature). Matted, 
flowing jata (hair) piled high with a crescent moon nestled within it 
and the Ganga river depicted as a fine silver stream flowing from the 
crown. A serpent (naga) coils around his neck like a garland, rendered 
with fine individual scale detailing. Rudraksha malas layer across his 
chest, and a tiger-skin drape rendered as flowing smoke-fabric trails 
from his waist into the storm clouds. Ash (bhasma) texture subtly 
visible across his silhouetted form.

Shankar ji has ONLY two arms total: one arm bent, hand resting near 
his chest close to the rudraksha malas in a calm, meditative gesture; 
the other arm extending outward and slightly downward toward the human 
subject below, palm open in a gentle blessing gesture — this is his 
ONLY other arm, used for blessing and nothing else. Do not add a 
trishul, damru, or any additional held object that would require a 
third or fourth arm.

A large glowing halo — like a radiant full moon — sits behind his 
head, backlighting the entire divine figure.

HUMAN SUBJECT POSE: Standing in an open misty field, both arms raised 
outward mirroring the divine gesture (exactly two arms, two hands), 
palms open and upward as if receiving blessing, head tilted slightly 
down in humility, weight settled evenly, a natural unposed stance 
rather than stiff symmetry.

ENVIRONMENT & ATMOSPHERE: Vast open field or mountain terrain with 
light ground mist, scattered dark storm clouds swirling upward into 
the divine figure, fine ash/snow particles and a few wind-blown leaves 
drifting through the air, distant faint mountain silhouette at the 
horizon fading into haze.

LIGHTING SETUP (as a real photographer/VFX artist would dial it in): 
Key light — the glowing moon-halo behind Shankar ji's head acts as 
the dominant backlight, casting strong cool-toned rim light down onto 
the human subject's hair and shoulders. Fill — soft diffused ambient 
light from the misty ground, gently lifting shadows on the subject's 
face so he/she isn't a full silhouette. The divine figure remains a 
near-black silhouette against the glow, with only the eyes, third-eye 
outline, and fine jata/serpent details catching light.

LENS & OPTICS: Simulate a wide-angle 24mm lens at f/4 to capture both 
the towering divine figure and the human subject in one dramatic 
vertical frame, deep focus keeping both sharp, with a very faint 
natural vignette at the corners for cinematic weight.

FILM/COLOR SCIENCE: Desaturated, high-contrast cinematic grade — deep 
charcoal blacks, cool blue-grey storm tones, with the moon-halo and 
divine eyes as the only cool-white highlight accents in the frame. 
Human subject's skin tone and clothing colors stay natural and true, 
unaffected by the overall desaturation.

PEAK DETAILING: Individually rendered strands of matted jata hair, 
fine silver-stream detail for the Ganga flowing from the crown, 
detailed serpent scale texture around the neck, crisp rudraksha bead 
strands, sharp glowing catchlight in the divine eyes, visible fine ash 
and mist particles lit by the halo, sharp naturalistic detail on the 
human subject (fabric texture, skin texture, hair strands) contrasted 
against the painterly smoke-and-shadow divine figure.

FINAL CHECK (mandatory before output):
1. Count Shankar ji's arms — must be exactly 2, not 4.
2. Count the human subject's arms — must be exactly 2.
3. Confirm every hand across both figures has exactly 5 fingers, no 
   fusion, no duplication.
4. Confirm the third eye is a facial feature only, not an extra limb 
   or object.
5. Confirm zero facial distortion on the human subject.
6. Confirm no identity mixing between the human subject and Shankar 
   ji.
7. Confirm consistent light-source logic radiating from the moon-halo 
   behind Shankar ji's head.
If any check fails, regenerate that element before finalizing.