"Janmashtami Kanha Janm — Divine Family Blessing"

IDENTITY LOCK: Do not change either subject's (the couple's) facial 
bone structure, eye shape and color, nose shape, lip shape, jawline, 
or skin tone in any way — keep both 100% identical to the original 
uploaded photo. Body build and proportions unchanged for both 
individuals. Non-negotiable.

CHARACTER IDENTITY SEPARATION (critical): There are exactly two 
distinct identity groups in this image and they must never mix or 
swap:
Group 1 — the real couple from the uploaded photo, appearing ONLY in 
the foreground bowing toward the palki. Their faces must not appear 
anywhere else in the image.
Group 2 — the devotional characters (baby Krishna, Mata Yashoda, 
Nandlal ji, and background family members), rendered as separate, 
distinct, traditional devotional-art style figures with their own 
faces — completely different from the couple's faces. Do not blend, 
morph, or transfer any facial features between the two groups.

SCENE CONCEPT: A divine Janmashtami tableau depicting the sacred 
moment of Kanha ji's (baby Krishna's) birth celebration. Infant 
Krishna rests in an ornately decorated golden palki (cradle), gently 
swinging, surrounded by a soft divine glow. Mata Yashoda stands close 
beside the palki with a nurturing, joyful expression, gently rocking 
it; Nandlal ji (Nanda Maharaj) stands near her, hands folded in 
blessing; a few family members are present in the background, softly 
blurred, dressed in traditional festive attire, watching the moment 
with devotion. Krishna, Yashoda, and Nandlal should be rendered in a 
traditional, respectful Indian devotional-art style (as seen in 
temple art or classical festival illustrations) — divine, serene, 
artistically stylized rather than hyper-photographic — to honor their 
sacred depiction.

COUPLE'S ROLE & POSE: The real couple is positioned respectfully in 
the foreground, bent slightly forward together, gently touching Kanha 
ji's feet in a traditional aashirwad (blessing) gesture — hands 
reaching softly toward the palki's base, heads slightly bowed in 
devotion. Their bodies angled naturally toward each other and the 
palki, one partner's hand resting lightly on the other's back for 
support while bowing, natural weight shift forward, knees softly 
bent — not a stiff or frozen bow.

EXPRESSION: Both partners show quiet devotion and warmth — soft, 
genuine reverence in their eyes, gentle closed-mouth smiles, faces 
tilted slightly downward toward Kanha ji rather than at the camera.

ANATOMY ACCURACY (critical, check before finalizing): Every person in 
the scene — the couple, Yashoda, Nandlal, and background figures — 
must have exactly two arms, two hands, and exactly five fingers per 
hand, with no fused, missing, extra, or elongated fingers. Every 
person must have exactly two legs and two feet, correctly connected 
at natural joints, with no extra or merged limbs. Hands touching the 
palki or Kanha ji's feet must show natural, anatomically correct 
finger placement — fingers gently curled, not flat or fused together. 
Re-verify hand and leg count and structure for every figure in the 
image before finalizing.

LIGHTING SETUP (as a real photographer would dial it in): Key light — 
a warm divine golden glow emanating softly from around baby Krishna 
and the palki, acting as the primary light source from center-front, 
low and warm. Fill — soft diya and fairy-light glow from the 
surrounding decorations, balancing the central glow at roughly a 2:1 
ratio so shadows stay soft. Rim light — string lights and hanging 
diyas behind the family create a soft golden edge-glow along the 
couple's hair and shoulders. Catchlights in both the couple's eyes 
should be warm and soft, reflecting the divine golden glow.

LENS & OPTICS: Simulate a 35mm lens at f/2.8 to comfortably include 
the palki, Yashoda, Nandlal, and the couple in one balanced frame — 
gentle background compression, background family and decorations 
rendered as soft bokeh, sharp focus maintained on the couple and 
Kanha ji, faint natural vignette at the corners.

FILM/COLOR SCIENCE: Warm festive film response — golden highlights 
bloom softly rather than clipping, shadows lifted gently rather than 
crushed black, rich gold-peacock-blue-maroon palette across the 
scene, skin tones of the couple staying natural and true against the 
divine warm glow.

SET DETAILING (peak detail): Ornately carved and gilded palki with 
intricate patterns, marigold garlands and mango-leaf toran hanging 
around the scene, scattered rose petals on the floor, peacock 
feathers, small clay diyas glowing around the palki's base, traditional 
brass kalash nearby, richly embroidered festive textiles on Yashoda 
and Nandlal ji's attire with fine gold thread work, softly glowing 
ambient dust/light particles in the air for a sacred atmosphere.

RETOUCH PIPELINE: Frequency-separation-style retouching on the couple 
— smooth tonal transitions on skin while fully preserving fine pore-
level texture and natural color variation under the warm divine 
lighting. Subtle dodge-and-burn to retain natural facial planes for 
both subjects, no flattened or plastic-looking skin.

FINISHING: Fine film grain overlay at low opacity, soft cinematic 
color grading, no digital sharpening halos, naturally balanced 
composition with the palki as the visual centerpiece and the couple 
respectfully positioned below it.

FINAL CHECK: Ensure zero facial distortion for the couple, correct 
anatomically accurate hands and legs for every figure (no extra or 
missing digits/limbs), no identity mixing between the couple and the 
devotional characters, and consistent shadow/light-source logic 
radiating outward from the divine glow at the palki.